We have detected that you are using an adblocking plugin in your browser.

The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.

The Star's Greg Quill was an example of how practical insight is essential in a good critic

By John Terauds on May 6, 2013

(Lucas Oleniuk/Toronto Star photo).
(Lucas Oleniuk/Toronto Star photo).

It’s sad to hear that my former Toronto Star colleague Greg Quill died at home in Hamilton yesterday. He was only 66.

Born in Australia, Quill began his adult life as a roots musician and ended it as a wire-story rewriter on the Star‘s Entertainment desk.

You can read a nice obituary in today’s Star.

I was his departmental colleague for 11 years — and one of his editors for about half that time.

Greg had been around the block a few times musically as well as journalistically. And, because of that, he could get really cranky. He could smell bullshit immediately, be it from his managers, co-workers or the PR people that would bombard us all day long every day of the week.

But when he wrote, he wrote as someone who cared deeply — be it as the paper’s official roots and rock music critic through my time as editor, or as an all-purpose entertainment columnist.

What helped make him a good critic was the fact that he had worked both sides of the microphone. He was no armchair word-slinger; he could actually practise what he wrote about.

Greg, a lifelong smoker, hadn’t been in the best of health for the last few years — a situation no doubt made worse by the stresses of coping with a workplace that was changing faster than many of us could figure out.

I hope that he and his like will continue to inspire other musicians to try their hand at criticism, because I think that is the best reality check any of us can get in a world full of marketing and PR spin.

Here, for fun is Greg Quill singing one of his early hits, “Gypsy Queen,” with his Country Radio bandmates (Kerryn Tolhurst – mandolin, lapsteel, guitar; John Bois – bass; Tony Bolton – drums; Chris Blanchflower – harmonica; John A. Bird – piano) in Australia, followed by a solo turn at Toronto’s Black Swan tavern four years ago:

John Terauds

Share this article
lv_toronto_banner_high_590x300
comments powered by Disqus

FREE ARTS NEWS STRAIGHT TO YOUR INBOX, EVERY MONDAY BY 6 AM

company logo

Part of

Terms of Service & Privacy Policy
© 2024 | Executive Producer Moses Znaimer