With all the fuss and hoopla over the past few days out of the way, I want to mark Glenn Gould’s 80th birthday with two composers he did particularly interesting things with, yet are not associated with the pianist as often as Bach.
John Terauds, Editor-Emeritus of Ludwig van Toronto, is currently a Divinity student at the University of Toronto and a church music director. He joined the Toronto Star in 1988, was the classical music critic from 2005 to 2012, and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
Latest posts by John Terauds (see all)
- Classical Music 101: What Does A Conductor Do? - June 17, 2019
- Classical Music 101 | What Does Period Instrument Mean? - May 6, 2019
- CLASSICAL MUSIC 101 | What Does It Mean To Be In Tune? - April 23, 2019
The first is Orlando Gibbons, caught here in a French documentary from 1974:
The second is Johannes Brahms — in particular the two Op. 79 Rhapsodies. Missing is the elasticized velvet wrapper that Brahms’ music needs. Instead, Gould highlights the composer’s complex musical structures in ways I don’t think any other pianist has been able to do:
John Terauds
John Terauds, Editor-Emeritus of Ludwig van Toronto, is currently a Divinity student at the University of Toronto and a church music director. He joined the Toronto Star in 1988, was the classical music critic from 2005 to 2012, and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
Latest posts by John Terauds (see all)
- Classical Music 101: What Does A Conductor Do? - June 17, 2019
- Classical Music 101 | What Does Period Instrument Mean? - May 6, 2019
- CLASSICAL MUSIC 101 | What Does It Mean To Be In Tune? - April 23, 2019
